mollyporter: (Default)
It's Sunday Afternoon, and except for my Grandfather's birthday dinner (which isn't until this evening), I gloriously have nothing to do all day - so I've been catching up on what I've missed on YouTube and rounding up fun, wacky, and just plain awesome videos to share! A Buncha Videos Under The Cut )
mollyporter: (Glee Mike Chang)
That was bad, Glee. That was really bad.

Just to get it out of the way, because I'm tired of saying it, NO MORE SCHUE-CENTERED PLOTS. And no more Terri ever. They're divorced, she's gone, it's over. Stop trying to make fetch happen, it's never going to happen. Ok, done. We aren't even going to talk about that anymore.

The theme of musical numbers this week was apparently "Let's Be Self-Indulgent". Which could be kind of fun if Glee didn't already have a problem with being overly self indulgent.

A break down of each musical number: )

And now that we've covered the music, let's move on to plot: )

Overall, not a great episode. There were a few pieces of season-long plot arcs that were definitely touched on and are hopefully moving the plot forward in an interesting way, but most of the high points of this episode were in scenes where the was potential for future development, not in scenes that stood all that well on their own.
mollyporter: (Glee Mike Chang)
Dear Ryan Murphy,


PLEASE. I am begging you on bended knee: Stop writing plotlines surrounding Will Schuester's gross obsession with Emma and inability to function romantically! Because it's not endearing, watching him ruthlessly pursue a woman who has already clearly rejected him. It doesn't make me cheer for Will and Emma as a couple to watch her get him shirtless, then abruptly become horrified with herself and run back to the boyfriend who has been good for her. It makes me feel icky, and it makes me want to turn off the show.

And R.Murph, that's a shame. Because you have all the ingredients for something really wonderful in this show - you have a bunch of charismatic young people who really understand and embody the characters they are playing, and each of them deserve the opportunity to shine in plotlines that actually show their character development.

Mercedes stepping up to play Frank-N-Furter was INSPIRED. She completely rocked that solo, and I would have loved to have seen more from her this episode.

Brittany and Santana just had a big fight, and we didn't see how they worked it out. You had them singing and dancing together during Touch-A Touch Me, but couldn't you have given them a scene together?

Mike Chang, who has been my favorite character since before you even gave him lines, is finally getting a little more room to shine, but why don't you give us a story line that actually shows some of the family problems he's been hinting at in his fight with Tina and his parents not wanting him to do the show?

Just - just stop with Will. He's awful. He didn't start out that way, in fact I kind of liked him for a lot of the first season, but episodes that focus on him are always awful and icky and leave me wanting a shower. His romantic life is pitiful and gross, and the reason those story lines creep me out as much as they do is because the show writes those stories in a way that's asking me to feel sorry for him, or cheer for him, or be on his side. And I can't be on his side, Ryan Murphy. I can't be on Will Schuester's side because I think that he has terrible attitudes toward women, and that he's bad for Emma. Despite his frequent moments of remorse over his behavior, Will Schuester has shown himself to be incapable of genuine self-reflection and has a disturbing tendency to act incredibly selfishly without regard to how it will affect the people around him, including the students he is responsible for.

And the thing is, Ryan Murphy, that you don't actually have to figure out how to *fix* Will as a character. In fact, I don't want you to (or, to be quite honest, think you can). Just stop focusing the plot on his storylines and give the other incredibly talented actors in your cast some space to shine.

I am a fan of the show. I love that it tries so hard, and takes on issues that other shows don't. When it's good, it is so good - but it has problems. And the problem that poses the biggest danger of making me turn the show off for good? Is Will Schuester.

All that said, there were a lot of elements of the Rocky Horror episode that I liked. At this point, though, an actual show recap is a whole other post.
mollyporter: (Glee Mike Chang)
Glee, why are you making it so hard for me to love you this season?

This was supposed to be Brittany's big break of an episode, and you bury half the plot under general anesthesia? Really? I mean, I enjoyed the musical numbers but WHY. This episode was so depressingly pointless in terms of plot and character development. The only plus side was that Heather Morris is a fanTAStic dancer, and Uncle Jesse isn't a terrible boyfriend to Emma (not that he's perfect, but he is SO MUCH BETTER THAN WILL SCHUESTER)

I feel dumb for the fact that I've already spent so much time and energy this season stewing over how much I hate Will Schuester. And it's not that Matthew Morrison is bad, it's that the writing he gets is terrible. He's a bad boyfriend, he upstages his kids to impress a woman who has repeatedly expressed that she is not interested and is involved with someone else, he gets manipulated by Sue, and yet for some reason we keep hearing about how he's the best teacher in the school. We may have seen that last year, but this year we sure as hell aren't seeing that side of him.

I just wish they'd put Schue on a shelf, and focus on the kids. Especially kids that aren't Rachel and Finn. We've heard a lot about Mike and Tina's "Asian Fusion" but we still never hear a peep out of Harry Shum Jr - who by the way is AMAZING in all things. If you don't believe me, go and WATCH THE LXD. Harry Shum Jr is one of the two primary choreographers for the ENTIRE THING, plus he stars in the episode titled "Elliot's Shoes" which is one of the best of the whole series. It's all jaw-droppingly fantastic.

I'm just so disappointed, Glee. The entire episode was named for Brittany, and still the only things she gets to say are barely relevant one liners? How about saying "Oh, this is the perfect episode to explore Brittany's sexuality, which we have been hinting for a long time is not strictly heterosexual", or "Hey! Let's meet Brittany's parents, the astrophysicist and the neurosurgeon, and her sister the theater star!" Instead we got "All the glee kids get their teeth cleaned under anesthesia, plus some stuff about Will/Emma and Rachel/Finn that NOBODY CARES ABOUT"


I keep watching, because what this show can be - and what it was for parts of last season - is SO MUCH BETTER than what it has been the last two episodes. I'm getting the impression that the writers/producers/whoever are so tied up in making bigger and better musical numbers, with more and more current pop artists, that the whole concept of "story" has flown their minds.

In sum: Harry Shum Jr and Heather Morris need to have an epic dance number together, in an episode that has an actual story that does not feature Schue, Rachel, or Finn in any way.

Glee 2.01

Sep. 28th, 2010 12:26 am
mollyporter: (Glee Mike Chang)
I was underwhelmed by the first episode of Glee this season.

Basically all we did was rehash some major themes from last season, such as:
Everyone is exactly the same as last year )

Narratively, it's re-setting the scene for a new season and essentially putting everything back to where it was in the first place. I'm left so cold by this episode because I don't want to watch the same season over again.

There were a few things I did like.
Sometimes, good things happen )


But tomorrow night is Episode 2! And despite all its problems, Glee still gets me excited. So that's a point in its favor. And I've also just learned that CASTING SPOILER FOR LATER THIS SEASON )

Glee 1.18

May. 12th, 2010 02:20 am
mollyporter: (Glee Kurt Mercedes)
I typically enjoy Glee because it's totally ridiculous, but boy- wasn't Chris Colfer (Kurt) amazing tonight? I feel kind of redundant talking about how much I love the way the show is crafting Kurt's relationship with his dad, but they've taken that really well crafted relationship that they built and they matured it beautifully.

Most shows would have considered Kurt's coming out issues laid to rest with Wheels, and I'm really glad that Glee didn't. They showed that for Kurt, his dad saying he's ok with "the gay thing" isn't enough. They showed Kurt experimenting with his sense of self, trying to see if he could be the kind of son he thought his dad wanted. Kurt's ridiculous impression of a good old midwestern boy was in equal parts hilarious and tragic. And his dad was so on-point in his total bafflement and the way he was trying to not push Kurt in either direction.

I think Kurt and his dad are just one example of what Glee does better than any other show, and that's relationships. The relationships on Glee are fantastically developed. The romantic entanglements of the Glee kids are never just romantic entanglements - they all take place within the context of a social group. And even when relationships don't last for more than a single episode, their impact and the way they change the group dynamics can still be felt. Emma and Will have an incredibly layered and complex relationship where they want to be together, but they both have their own issues that they need to deal with before any successful relationship can come to fruition.

Glee has this way of coming across as a really surface show, and most of us tune in for really surface aspects. But the show's actually got a lot of depth that has a tendency to get hidden under ridiculousness and quick changes.

Top moments:

Puck's Sammy Davis Jr Solo

Britney's desire for a "perfect record"

Kurt's second solo and the following scene with his dad

Mercedes back in her fabulous wardrobe and out of the Cheerios uniform!

Not so top moments:

That version of One was terrible

Finn and Rachel fell flat for me. Those two have absolutely no chemistry, and that arc was not handled well.


I really hope that Jesse hanging out with his Vocal Adrenaline buddies is going to accelerate the torn loyalties drama that has to come. I'm still holding out hope for a melodramatic pay-off on Jesse's arc. Preferably one that involves Lea Michele and Jonathan Groff emoting at one another a lot.
mollyporter: (Glee Mike Chang)
The theme this week was amazing! Reclaiming songs with terrible reputations is so perfect for this show. All of those songs are guilty pleasure songs, and they all work so well for Glee.

Jonathan Groff's continued appearance makes me so happy. The acting isn't phenomenal, but it's just the right kind of cheesy. And it cannot be denied, the boy gives good face. Specifically, good comically taking himself too seriously face. He and Lea Michele are so funny together - Lea's goofiest acting, her most over-the-top reaction shots, come when she's on screen with Jonathan and the end result of them being overly-dramatic at each other is me being amused and charmed by the pair of them. I want them to get their own behind-the-scenes-of-Glee reality show.

The poor library group - that whole thing was so adorable. They just want bad reputations! So they're gonnna make noise in the library! I love all of them.

Emma & Will - Oh man, this episode was awesome for this pair! I loved that being called a slut was actually really detrimental to Will's reputation, and I loved that Emma didn't instantly forgive him AND called him out on expecting her to. I'm not really rooting for them as a pair. I'm more rooting for Emma to do whatever is best for her, and if Will shapes up enough only then will I be happy to see them get together.

Sue Sylvester - her scenes with her sister are so incongruous, but I really enjoy them. Sue's becoming a more interesting character, I think. She's being given depth without being robbed of her sharp edges, which I think is really good.

Once again, I have to ask - WHERE IS MIKE CHANG? GIVE THAT BOY SOME LINES, PLEASE! OR AT LEAST AN EXTENDED DANCE SOLO! Honestly, it's getting to the point where I want to start a petition. Or the "Fans of Glee for More Mike Chang, Please" Facebook Club.


PS - ohmigodmollyshannonisongleeohmigodohmigodohmygod! I love Molly Shannon. Molly Shannon is from the cast of SNL that I grew up with, and she was my FAVORITE. I hope she stays!
mollyporter: (Glee Kurt Mercedes)
I am really pleased with the way Glee is growing into itself.

Honestly, they take on a lot. And they don't always follow through. But what I really liked about this episode is the way it hinted at a commitment to follow-through that's been missing from the show.

First, they brought back Becky! I was so worried when we were introduced to Becky back in Wheels that she'd be a one-time gimmick character who was there to make a point in The Disability Episode and then would disappear forever, but the writers have actually had Sue follow through on her promise to put Becky on the Cheerios. The only thing more I could ask is that we actually see her performing in the group numbers.

I'm also really happy with the way the Will/Emma arc is being handled. It's not all falling together perfectly for them, they're unsure how to move forward. And I like that the show has come to terms with the fact that Will, for all he tries to be a Good Guy, isn't perfect.


I have to say, I love Santana & Brittany. And I love that they've been brought to the forefront to make the show a more genuinely ensemble show. I find myself wishing that Mike Chang (played by Harry Shum Jr) had a bigger role than just "the guy with the cool dance moves" because every time he dances, he totally steals the scene. He always looks so game for whatever's going on in that moment, yet I can't remember a single spoken line of his because the writers haven't made him part of the plot yet.

On that line of thinking, I'm glad the marginalization of the "non-lead" characters is being addressed by the writers at least somewhat by Kurt and Mercedes' semi-defection to the cheerios. They were absolutely right that they aren't being given ample opportunity to shine in Glee, and they're two of the most visible non-leads.

Jonathan Groff is awesome. It's been so great to see him and Lea Michele be reunited - they have great on-screen chemistry with one another, and are so clearly comfortable with one another. The way his character is being written is so amusingly cliche, I really can't wait to watch it play out. Plus, that rendition of Hello last week was SO GOOD.

This weeks musical numbers were all killer. This is going to be one of those episodes that gets remembered for a long time.
mollyporter: (Default)




Embedding Disabled on Moses Supposes, but you should watch it anyway

A few weeks ago, I was watching movies at a friends house. We saved Singin' in the Rain for last-of-the-night and only got half-way through before we were too tired to finish. But we talked about it as we were watching, and during the Moses Supposes number linked above I mentioned that I really wish more modern movies had awesome dance breaks. She pointed out (to our mutual horror) that the closest thing contemporary Hollywood has to a Gene Kelly or a Donald O'Conner is the cast of High School Musical. And in the acting world, it's kind of true - the movie actors who CAN sing and dance (Neal Patrick Harris, Hugh Jackman, &c) are known for being Broadway crossover actors but tend to keep their singing and dancing to the stage and off the silver screen. The non-tween singing and dancing movies are more likely to cite Bollywood as their influence (see: Bride & Prejudice (2004)) than Gene Kelly or Fred Astaire. Interestingly, musical numbers do occasionally crop up on TV - in every episode of Glee, in that well-known episode of Buffy, twice this season on How I Met Your Mother. Delighted as I am by this, I feel it can be put down to added pressure on the writers to do something new for the show. And it tends to be more of a novelty item than anything else.

But then again - perhaps our storytelling through song and dance has just migrated to the short form, ie music videos. The boybands of the 90s were all known for their choreography as much as their music, as is Beyoncé, Chris Brown, Janet Jackson, Michael Jackson. The dance style en vogue may not be tap any longer (though I would love to see it make a comeback!) but if we're desperate for a song-and-dance fix we don't need to watch a 90 minute film when there's a 4 minute music video readily available. It sort of makes me yearn for the longer form, though. There are a lot of bands I like who release albums where every single song would make a gorgeous music video. There are a lot of really interesting concept albums that are thematically strung together to tell an overall story. I would love to see a band turn their entire album into a music video - craft each song into a chapter in the overall story of the album. Muse's latest album The Resistance is a perfect example of this. The album is basically a space opera that I would love to see brought to life visually - and why not stage it as a musical with dance routines helping to tell the story? Perhaps not every moment, but at least in part. I feel like there's room for longer form musical storytelling in the mainstream, and maybe doing it through music rather than through drama is the way for the form to gain authenticity right now.
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